![]() Recording was executed with Audacity (Freeware)…ĭifferences between left and right: In my opinion, compensating for this is a delicate operation. MP3 (or AAC…) based on FLAC, at lower and compressed quality to carry aroundįinally - all is Electronic Music, mainly Techno… I acted as DJ years ago… I want now recordings that meet my preferred sound (more or less), and usually many of my Vinyl was not engineered well, produced in bedroom, pressed somewhere in the nowhere usually I guess… surely not audiophile Which is best method and how to apply this? ![]() Any idea how to execute this in a smooth way?Īlthough applying Ultrasonic, I expect still the massive cracks to dominate the recording. I would like to apply most of the tracks to nearly the same level which could mean increase or decrease. Extremely different… I assume it‘s due to pressing resp. Do I need to use a plugin or would master leveller be the first choice?ĭifferent records show different levels. I would like to egalise it, no fun during listening, especially with headphones. Recording was executed with Audacity (Freeware), beside cutting tracks to their length - no editing has been applied.ĭifferences of level between left and right channel. Result was not satisfying at all… not I restart with Ultrasonic cleaning. I started a couple of years ago, cleaning with Knosti. Again - I do not know what “quality” means to to you - but for me - I strive to make my transfers indistinguishable from CD whenever possible - and I am willing to put in the time that takes. Getting the very best transfers and sound quality requires several key tools, good monitoring and solid ears. I never render out anything but a set of well tagged FLAC files at the end of a transfer session. ALAC is probably a better choice that AIFF long term.įor me - the work is all done into FLAC and then I use those masters to create mobile versions like MP3 etc for iPods etc. I stay far away from WAV and AIFF as any sort of long term solution for masters. If you commit to AIFF as a master - you should know that your files may not display correctly OR at all - should you move out of Apple’s world and into something else years from now. I am on Windows so my “forever masters” are in FLAC format - which allows storage of every tag I might ever want to use. Remember that normalizing can (and will) bring the levels of all tracks up - in some cases making quiet songs (even from the same album) sound goofy - because they are too loud.Ĭhoose a master archive format that retains ALL of your tagging efforts. Normalizing is not something to take lightly. Cleaning the record thoroughly BEFORE attempting any sort of transfer can save you literally hours and weeks off your edits. ![]() WL is used but it used sparingly.Ĭouple thoughts before you get too far into this - depending on the quality you are looking for - I do not see a record cleaner on your list of steps. I will get some posts up here on what I do for my transfers. Right now I’ve installed WaveLab Elements 9.5 (Trial) and must report some crash downs (especially when adjusting the PlugIns). Am I right that I cannot use the WL De-Click with a track globally, I need to find and remove each click manually? As an option: Tag all the files (also possible with iTunes…)Īnyway - 1), 2) is clear, what would you recommend to use Plug Ins in right order for WaveLab? How does it work - is there a Tutorial available showing exactly this (basic settings - do’s / dont’s - examples…)? My wish is to use some kind of automation.Normalize left and right (I know - many pressings are showing huge difference between both channel).Finyl result should be: MP3 (256 and above) and AIFF files, each track separately, perfectly tagged to use it in iTunes… Now I only need recording software to: ![]() My Equipment is: Arturia Audiofuse on iMac (mid 2011- RAM++, SSD+++) etc. I’m very new user with Wavelab… My plan is to digitalise all of my Vinyl Records (1’000++).
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